By Jack Ridl
Illustrations by G. Odmark
I – Everything Bloomed Earlier This Year
While another fissure cut
off another wall of ice,
all the earth’s water rising,
our magnolias, lilacs, redbuds,
azaleas lifted
their color into the sun
and tonight’s forecast-
frost.
We will cover the forget-me-nots
and the cluster of peonies
her grandmother
first planted
in her hidden garden.
We’ll drape
a sheet over the haphazard
assemblage of crocuses,
daffodils, and jonquils.
The lily of the valley’s sprawl
will hold
against the cold.
In the basement,
where it’s just warm enough,
the spiders will hang their
webs.
II – The Snow Has Been Gone a Week
The sky is a scrim
behind the dark-barked
trees, their branches
waiting in the negative
space of air. This light
lingers in the stark
limbs, along the way
of spring’s occasion
of crocus and violet. I
think feathers, abandoned
nests, letters with no
envelopes, and a new lamp.
On the counter beneath
the kitchen window
the cat sleeps curled
into herself, parenthetical
between this melt
and April’s onion snow.
III – Sparrow
I have no idea if you are lark,
java, white-throated, vesper,
song, or saltmarsh sharp-tailed.
I have Sibley’s guide, Peterson’s,
and one for our area. But even if
I memorized your markings,
you would not be the bird sitting
on the lowest branch
of the old beech
outside our bedroom window.
I want
to cross this space into the world
you know: the branches where
you perch,
the ground where you search
the air…
IV – Again the Squirrels
The squirrels are hanging
from the feeder meant
for the morning
arrival of grosbeaks, finches,
chickadees, the assertive
jays. The feeder clangs,
dangling,
and I try to sit
zazen, feel
the startled
beat
of my silly heart
wanting to slam
the door
sending
black tails, gray tails
sailing
from their clutch
of the ebony, oiled
sunflower seeds.
“Only for the birds,” I chant.
“Only
for the birds,” my mantra
mocking
myself, my morning, my
monotonous hope
that the day will unfold into
something other
than its inevitable
chatter, its necessary way
of forcing us
to interrupt.
I will wait
for night,
for the moon’s light
draping across our eyes, for
a rainfall that mutes it all.
V – Maybe
It’s another morning, the sun
pulled slowly hand over hand
to sow its earth-bound light
dappling the grasses,
fuzzy whites, lady’s mantle,
lamb’s ear, and lying across
the variegated leaves, hexing
what we think we see. Besides
the lily-padded pond, the frogs
with ever-croaking gulp swallow
the light’s arrival. On the porch
the dog at peace between
his paws.
VI – The View from the Porch
The gray squirrel takes its circular
route up the maple, out on a
limb, leaps
to a branch on the white
pine, onto
the curly willow, back down and
around the trunk, stops
to scratch,
then heads across to the garden.
A red-winged blackbird balances
on the top of the pink azalea,
its last blooms landing amid
the swatch of maidenhair ferns.
The hostas are rising, their leaves
green and blue-green and
widening
as if receptive to any ant or rain.
My grandmother spent
fifty-three
years on the porch, in her chair —
a pot of tea, biscuits, currant
jam, her Pall Malls, and a fresh
deck of cards to fill her day
with solitaire. She talked to
herself as if collecting those
who walked by. “Will she ever
get rid of that hat?”
“It’s Wednesday
so there’s the lousy liquor in
his bag.”
Our pansies are getting leggy.
The shaggy irises are blooming.
VII – The Cat and I Watch the Morning
It’s what we do. Each morning.
The cat still sleeping on the
sill, tail
twitching. Standing at
the window,
I sip my coffee, new-brewed and
caramel-creamed. Within
the sprawl
of this light, I want to turn
and say,
“Watch how the light
moves across
the liriope, sharp-cutting
in shafts
through the winter leftovers of
brown and yellow, how it lies
on the platter-leaved butterbur
drips down the fragile dangle
of coral bells and
columbine, settles
into the full dark of the
hemlock.”
VIII – Stopping at the Window to Watch the Squirrels
It is early Monday morning
and it is
gray. And it is January, a
gray early
Monday in January. There
is snow
on our borrowed bit of earth.
Most everyone is working or
going to work or coming
home. Out
the backyard window, through
the stagger
of hemlocks, blue spruce,
and white pines, the juncos,
wrens, finches, and redpolls,
nuthatches, and chickadees rise
and dive like lost kites on
a wind-filled day, then dart
within the tangles
of branches
to the feeders hanging,
perhaps
high enough, perhaps
low enough,
a sprawl of dropped black-oil
sunflower seeds
dappled among the fallen
pinecones. We
no longer go to work. We keep
the feeders full and fill
our cups with coffee,
hot and tempered
with cream. ≈
Jack Ridl is the author of seven published poetry collections and professor emeritus of English at Hope College.
He is the recipient of several national awards, including the Chapbook Award from The Center for Book Arts in New York City.
He lives in the Douglas area with his wife and their Spinone Italiano dog, Vivian.
By Jack Ridl | Illustrations by G. Odmark
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